#A KIND OF MURDER MOVIE REVIEW SERIES#
Nick Kroll on the Evolution of 'Big Mouth' and the Celebrity Voice He Wants to Land MostĮmmy Predictions: Best Actress in a Limited Series - More Than a Two-Horse Race
'Being the Ricardos' Review: Aaron Sorkin Unleashes His Worst Impulses on Awkward Portrait of Lucy and Desi
#A KIND OF MURDER MOVIE REVIEW CRACK#
After all, this critic has already made peace with the idea that Sandler doesn’t give a shit about most of the stuff he stars in - no matter how many paid vacations he forces us to watch, his admirers will always be hovering over the plate for a crack at his next curveball. Maybe that sinister plan is working far better than it should. Maybe the terrible Netflix movies Sandler churns out to satisfy the streaming platform’s deal with his Happy Madison production company are all part of a long (and ultra-lucrative) con to make people drop to their knees in gratitude whenever he decides to work with a real filmmaker instead of just churning out gristle for the content mill. Sandler’s talent and creative potential have never been in doubt, but at long last it finally seemed like he was putting them to use on a more regular basis.Īnd maybe he is. His performance in Noah Baumbach’s “The Meyerowitz Stories” was among the best of his career, his PTA-approved comedy special “Adam Sandler 100% Fresh” was a rapid-fire reminder of what people loved about him in the first place, and - judging by paparazzi shots from the set - his performance as a Diamond district jeweler in the Safdie brothers’ forthcoming “Uncut Gems” could redefine screen acting as we know it. It was just starting to look like Adam Sandler got his groove back.
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